Published by D1, Dublin
Design by Pony Ltd.
Limited Edition of 1,000
29.5 cm x 20 cm
Please note: Local pick-up of orders is available from
The Library Project at 4 Temple Bar, Dublin 2.
Created as both installation and publication, End. is a collaborative work by Eamonn Doyle, Niall Sweeney and David Donohoe. Built around the photographs of Doyle, it also features drawing and sound by Sweeney and Donohoe. End. gives equal significance to the city and its population, their combined forces continuously shaping each other. Individual journeys of everyday life are compacted repetitively into the same streets. Dubliners wear away at the autonomy of their city, while the streets themselves become a kind of sculptural civic mental State. Dublin, its light and its people, carry out dance-like actions, swapping roles in a series of short plays. End. unfolds as a sequence of events — loops of time and place — revealing a city whose concrete is as plastic as the movement of its inhabitants.
End. is a set of 13 sections all brought together in a white leatherette slipcase, with black-embossed drawings and tip-in title sheet, wrapped in yellow cellophane.
Each section is folded to 200 x 280 mm, portrait.
Featuring 273 photographs, 20 ink drawings and a 7” vinyl sound work, these 13 Dublin “moments” comprise:
One yellow book, thread sewn, printed in black duotone with screen-printed drawings.
Two black books, thread sewn, printed with silver inks.
Three full-colour books, thread sewn, with screen-printed drawings.
Four concertina-folded double-sided diptychs in full-colour with screen-printed drawings.
One large full-colour double-sided folded map.
One 7” vinyl record tucked inside a printed and folded glassine poster.
At the centre of the work is a concertina-folded double-sided full-colour triptych.
In i, Doyle presented a sequence of images depicting unknowable figures enveloped entirely in their own interior landscape of street, poised in silent choreography. ON’s black & white giants convulse across the pages, bracing the hard Dublin light. The texture and volumes of the city and the people are somehow hewn from the same rock, though they strike out against it.
End. gives equal significance to the city and its population, but here their combined forces collectively and continuously morph each other in order to survive. Individual journeys of everyday life are compacted repetitively into the same streets. Dubliners wear away at the constructed autonomy of their city, while the streets themselves become a kind of sculptural mental State. End. unfolds like a series of maps — loops of time and place — revealing a city whose concrete is as plastic as the movement of its inhabitants.