Waiting Room 3
A new work from the series Dream the End, is an examination of the photograph’s ruptured relationship with index, aura, memory and temporality within a contemporary context dominated by the nihilism of data and codified dematerialisation. The work is comprised in part of images made across a variety of analogue and digital mediums before, during and after the artist’s mother’s protracted illness and death, combined with material drawn from her own photographic and written archives created between 1952-1994. It is a map of oedipal desire and its potential for violent and destructive excess; a cross generational collaboration, an analysis of the flow of intra-subjective trauma, a matrixial duet. It is also a telling of the mother’s story, the story of their relationship, its intensity, and its end.
Dorje de Burgh works within the dark poetics and (self-) reflexive potential of the photographic quotidian. Oblique documentary/collage/video work draws upon lack, liminality, libidinal excess and the paradoxes of dematerialised (image) desire in a schizoid present. His practice is currently concerned with the speculative interrogation of the family archive, centred upon the examination of the photograph’s ruptured relationship with index, memory, temporality, and death within the non-analogue moment.