ISBN: Not available
Published on the occasion of the Luigi Ghirri exhibition at the Douglas Hyde Gallery, July 31 – September 30, 2015. Includes text by John Hutchinson and images of all of the photographs included in the exhibition.
Luigi Ghirri’s photographs can seem nostalgic, but they woudn’t have come across that way in the 1970s, when most of them were taken. He liked unremarkable places such as seaside resorts, amusement parks, farmhouses, tourist attractions, and nondescript city streets; he wasn’t drawn to anything particularly dramatic, nor did he invest them with strong feeling. Ghirri’s was an enigmatic vision of the everyday; he chose to make strange the ordinary, revealing life as a little empty and alienated but never especially unhappy or disturbing.
Although his deadpan images are apparently effortless, they are possessed of understated and puzzling complexity; beneath their calm surfaces there is a peculiar ambiguity that can be associated with the passing of time, and with doubt, humour, and mystery. Operating in a liminal space between realism and metaphysics – not unlike his Italian compatriots Giorgio de Chirico and Giorgio Morandi – Ghirri quietly draws our attention to things, relationships, and ideas that most people don’t notice.
Luigi Ghirri (1943 – 1992) has received much acclaim for his photographs in the past decade. In 2008, the Aperture Foundation produced the first book on his work in English, and his work was featured in the 2011 and 2013 Venice Biennales.
The Douglas Hyde Gallery was founded in 1978 by Trinity College and the Arts Council of Ireland.
The Gallery is also known for its publications, which are sold and distributed worldwide. Exhibition catalogues are usually published in a consistent house style, and there are over sixty titles in the current series.